The compositions of Miłosz Kędra (2001) explore synthetic sound, electroacoustic and acoustic instruments, seeking different timbres, tunings and textures. His main field of work, and the centerpiece of his latest album For Aeons (2021), is the pipe organ. In this work, through minimalistic themes, he transports the sounds of the instrument outside the church by synthetically processing its tones. Currently, he is studying for a Bachelor’s degree in Electroacoustic Composition at the Academy of Music in Poznań. His pieces were used in a variety of short films and performances.